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dark chocolate days

he picked me because i spoke softly
and didn’t criticize even though
i wondered why he insisted on darkness
in his apartment for our soggy french toast breakfasts
the cinnamon so strong we would struggle to chew
coughing and laughing at the same time.
for nights with vanilla candles extinguished
our naked feet lying on separate parts
of the coffee table.
for our rare instances of intimacy,
his head resting on my stomach
my impulsive fingertips roaming his face
spreading his lips into a smile.

he picked dark brown and gray suits,
overtime at work to avoid the crowded subways,
the seat facing the wall in restaurants

he picked me and loved me
even though i couldn’t stay
quiet through a movie
and was attracted to bright colors

he picked me having never met a woman
who didn’t force him to talk about the past or his feelings
having never met a woman
who wasn’t afraid to eat
dark chocolate cheesecake with her fingers
having never met a woman
who didn’t slowly try to pick away his darkness

and I picked him and being with him
hurt less and less with the passing of each dark day

–lissa

majestic velvet expansions

photo uploaded by Nika Fadul.

i want a poem to exist within the spaces between my heart beat. i want the inches of longing and hollowness within me to merge into a living breathing artform and my insides to vibrate sonnet-like love. i want to move my soul so deeply that it becomes a soaring hot pink balloon that i could tie around my waist and fly away towards heaven. i want to tag the moon and have it play chase with me all night. imagine what the moon must feel like: majestic velvet expansiveness. maybe i could bring back to life that deep belly laugh that went extinct when i realized the word no is the most misunderstood word in the entire book of languages. i wish that i could take a pair of scissors and cut through the vivid horror tales that replay on and on in my head. if i could have stillness, more than anything, i would want it to be autumn and to sit on a freshly washed sheet and stare up at the rainbow of leaves and watch the tree branches dance with the wind. have you ever noticed the way autumn sounds so alive?

there’s a point when you lose too much and fate becomes a dark looming thing that drags you along on a leash and kicks you in the bottom if you ask to just rest and sit for a few more moments. i want to be majestic velvet expansiveness. i wish i could lean into the moon, the leaves, the beauty surrounding me and find out their secret. how are you happy? why are you glowing when there is so much loss all around you and embedding you? maybe they would whisper back, it’s simple, my lovely. let go and love.

–lissa

p.s. i started a new blog called lissabliss where i write about yoga and life. flyturtlefly will always be my first love and creative safehaven, but it has such a distinct tone and energy to it, that i really couldn’t see a way to integrate vivid details about yoga and meditation with dark poetry fairy lands other than by just having two blogs.

watering my positivity seed

“Spirituality is facing yourself with a smile when life confronts you.” – Yogi Bhajan

i feel safe. i never thought i would say that, but it permeates every part of my being when i am on my yoga mat. it is my space of nonjudgment. my place where i can simply be and breathe. i don’t have to deal with my boyfriend’s “hates me, loves me, ignores me, wants to marry me” mood swings or for that matter my wallet’s hates me, loves me swings. my insecurities don’t even exist because it is a space of love and ahimsa (nonharming). why would i have anything to feel insecure about if no one including myself is going to judge me?

i love yoga — not just the postures but the meditation, the focus on breath, loving kindness, and intention. it takes me completely within myself and allows me to finally open my eyes to just how beautiful the real me is. why have i spent so much of my life being guarded and hiding so much of myself from others? i can see now that only i have the power to reject myself.

i don’t want to view the troubles in my life as troubles but more so stepping stones to get to a higher form of me. i feel happy more moments than not. i feel like surrendering into the experiences in my life can be the hardest thing to do but without a doubt the way i am able to enjoy life the most. sure, sadness and anxiety are never too far away, but it’s different. they’re not surrounding me. they’re not scuffling around making my chest so tight that only teeny pathetic whimpers of breath can get out. they’re not nagging me with their singsongs of my downfalls so loudly that i get my usual four pm headache. they respect me. or maybe i’m giving them too much credit. they’re giving me space because i have created that space. i have found that point of stillness inside of myself, where i am as kind and forgiving of myself as i am to others. this shift in putting myself first has actually allowed for me to care about others more deeply from a genuine place as opposed to my previous please love me space.

yoga taught me how to create that space. after two years of a solid yoga practice where i had this deep sense of loving kindness in class, i decided that i needed to be this way to myself throughout the day on and off the yoga mat. it’s a growing and budding space inside myself that understands that loving my fears, loving my imperfections, takes all their power away. i’m content with myself and with my life right now. that’s my goal for each moment. it takes so much stress off of me living that way.

–lissa

(photo by Clara Zamith.)

elle, can we go out tonight  just the two of us? phoenix asked.

what do you mean it’s always just us, i said.

no. it’s you, me, and sadness.

and what makes you think it’s my sadness?

well, he pauses, it’s simple. i don’t feel sad when i am with you.


photo  by ArminBxl.

his lips burst into the kind of smile that temporarily short circuits the electricity within me; i tilt my lips against his to see if a wave of sparks could rinse between the two of us. my fingers arc to explore the curves of his stillness. they are such traitors. they love to touch him — this six foot five and a half (you must get that exactly right or you will be saltily corrected) almost three hundred pound magnificent man. my fingers don’t touch me that way. they dig and pick in their jittery desire to keep up with my frenetic heart. i’ll have wide-open spaces where my face used to be because of them… and he won’t even care, he’ll just push my fingers away like always and kiss each line in my hand until my anxiety rushes out of my ears and all i hear are the lyrics of his soft breathing.

i’ll just reach for the on off switch i keep in my jean pocket, i say.

you don’t have to.

i squish sadness into my intestines and hope that my digestive system will work like a car wash and scrub all my darkness away. but sadness isn’t water soluble; it always creeps back into my irises to show me pictures of all that i am not.

i am. i am. i am. i flash happy pictures in my mind to make it a war. i am. i am, i tell the sadness. sometimes, i close my eyes when i am with him and do this. i’ve even jumped up and down and done a semi-circle to make my point clear. yeah, i know — completely not sane. how do you explain that other than to laugh and blame it on the wine?

you are sentastic, i finally say.

sentastic? a complete sentence.

no, sensational and fantastic.

ahh. you know i hate when you do that, he says, but of course he doesn’t mean it — the grimace on his face is centimeters away from being a smile. i once told him that i make up words to describe him because normal, regular words don’t do him justice.  i rubbed my thumb against the back of my neck to give myself a thumbs up sign for that one.

we sit in a happy silence until i ask what do you want to do tonight?

i’m not sure, he says, looking around.

i really mean it, i say, about sadness.

i know, he says, but of course he doesn’t really believe me. he thinks i’m in love with sadness. he said it to me once when he thought i was still asleep, followed by i wish-i wish — and then silence. what does he wish for? do i even want to know?

his fingers find my funny spot and some of the water i’m drinking follows my giggles and slips onto my chin. you are the reason they invented the adult bib, he says and the wrinkles by his eyes soften.

thanks a lot, i say in mock hurt, and push him away. we sit in silence for some time watching the flickering colors on the television. i wish we could sneak into the screen. i could be clair and he could be cliff; we would have a team of writers in charge of making us brilliantly funny each day — no sadness allowed. we would sit in the kitchen with our charming children after a long day and make brownies together.

i look over at him, suddenly nervous — he’s said that when i get quiet, that’s when the sadness starts to emanate. where do you go? go somewhere different or stay here with me.

–lissa

burn me.

photo by ojaipatrick.

I kiss my demons at night and bathe
myself in their kerosene grins.
I pour liquor and sugar
on my ginger colored edges
and lay on baking sheet liner
deep in their smoky inner hollows.
My skin wrinkles and hardens
but it never changes form.
I never become fire.
I don’t even burn.
Can you burn the fire deep
within you with more fire?
I want to do more
than just evaporate my tears.


photo  by TommyOshima.

i’ve read confessional poet extraordinaire anne sexton a lot lately particularly as i have developed the series on depression that i started posting this week. i don’t think there are many people who have written about the disorder better than sexton. she writes about most things better than anyone else but depression is a particularly difficult subject to describe because of its tendency to eat away at your senses. sometimes, i feel like i have huge holes in my memories from periods of my life when depression strangled my world. i know a lot of people must feel that way because of the distortion that depression causes. how then do you write about something that you can’t even see clearly?

…   …   …   …   …   …

my favorite sexton poem: “barefoot.”
the poet of ignorance,” a poem about the helplessness of depression that particularly grips me.
lessons in hunger,” one of her last poems before her suicide.

i love sexton’s fairy tale reincarnation transformations and kurt vonnegut jr’s foreward in the book:

I asked a poet friend one time what it was that poets did, and he thought awhile, and then he told me, “They extend the language.”

Anne Sexton does a deeper favor for me: she domesticates my terror, examines it and describes it, teaches it some tricks which will amuse me, then lets it gallop wild in my forest once more.

–Kurt Vonnegut Jr.

i love his interpretation of her writing. sexton writes about the most intimate corners of her life but it never seems narcissistic or overdramatic; she allows a voice for every one of the emotions running rampant in you.

i remember the first time i read transformations. i was staying with an ex in brooklyn who had the most amazing little apartment. his roommate had decorated the living room with a small sofa, wooden statues that resembled different parts of a tree, and piles of piles of books in every corner. for days i wanted to walk around the room barefoot and touch all of the different books. i didn’t though because i’ve always felt like looking through someone’s book collection was too intimate for a stranger to do (his roommate was away on assignment in africa — i never met him) but my ex, a devout writer yet very reluctant reader, laughed at me and laid a giant pile of books on my lap. it was then that i found transformations and entered the mind of sexton for the first time.

i have yet to read any of vonnegut’s books (he’s on my to read list). however, i do love to read and reread his eight rules (particularly #7) for short story writing which are from Bagombo Snuff Box: Uncollected Short Fiction:

  1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  2. Give the reader at least one character he or she can root for.
  3. Every character should want something, even if it is only a glass of water.
  4. Every sentence must do one of two things—reveal character or advance the action.
  5. Start as close to the end as possible.
  6. Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
  7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  8. Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

He qualifies the list by saying that Flannery O’Connor, and other great writers tend to break all the rules except for #1.

i love the fact that he adds that little clause at the end about breaking the rules. rules and tips are great especially when writers are first developing their style and voice but who needs rules when it comes to creativity?


photo by Coffeelatte.  quote from the sexton poem “knee song.”